{"id":98687,"date":"2024-11-05T14:07:00","date_gmt":"2024-11-05T11:07:00","guid":{"rendered":"https:\/\/www.remgo.com\/11\/?p=98687"},"modified":"2026-01-31T15:34:51","modified_gmt":"2026-01-31T12:34:51","slug":"zamanin-bolsa-istanbullu-olabilirsin","status":"publish","type":"post","link":"https:\/\/www.remgo.com\/11\/zamanin-bolsa-istanbullu-olabilirsin\/","title":{"rendered":"Zaman\u0131n bolsa \u0130stanbullu olabilirsin"},"content":{"rendered":"\n

Behi\u00e7 Ak<\/a>, 1982’den bug\u00fcne Cumhuriyet Gazetesi’nde yay\u0131nlanan \u201cKim Kime Dum Duma\u201d<\/em> \u00e7izgi band\u0131yla bilinse de o ayn\u0131 zamanda \u0130stanbul sevdal\u0131s\u0131 ve Galata hayran\u0131 bir mimard\u0131r. Yazd\u0131\u011f\u0131 \u00e7ocuk romanlar\u0131yla \u00e7ocuklardan \u00e7ok yeti\u015fkinlere yol g\u00f6sterir. Uyku \u015eehir <\/a>kitab\u0131nda \u0130stanbul’un adeta foto\u011fraf\u0131n\u0131 \u00e7eker, ama kareye yans\u0131yanlar cadde ve sokaklardan \u00e7ok kentin ruhudur. Bu kitapta alt\u0131n\u0131 \u00e7izdi\u011fim sat\u0131rlardan, i\u015faretledi\u011fim paragraflardan k\u00fc\u00e7\u00fck bir al\u0131nt\u0131y\u0131 burada payla\u015fmak istedim.<\/p>\n\n\n\n

A\u015final\u0131k bitince, hayat da biter<\/h2>\n\n\n\n

Bu \u015fehir \u00f6yle sevgi doludur ki\u2026 \u0130nsanlar\u0131 \u00f6yle iyidir ki\u2026 Ama onlarla konu\u015facaks\u0131n, hi\u00e7bir \u015fey vermiyorsan, “Nerelisin hem\u015ferim?”<\/em> ya da “Saat ka\u00e7?”<\/em> diye soracaks\u0131n. “Hava \u00e7ok s\u0131cak, de\u011fil mi?”<\/em> diyeceksin ya da “\u00c7ok so\u011fuk, de\u011fil mi?”<\/em> \u00f6nyarg\u0131l\u0131 olmadan, bir yere yeti\u015firken yap\u0131lan ya da iki cep telefonu konu\u015fmas\u0131 aras\u0131na s\u0131k\u0131\u015ft\u0131r\u0131lan yasak savma t\u00fcr\u00fcnden konu\u015fma de\u011fil, onunla konu\u015fman\u0131n o s\u0131rada hayat\u0131n tek amac\u0131 oldu\u011funu hissettirerek ve daha da \u00f6nemlisi hissederek konu\u015facaks\u0131n. Hava atmadan, k\u00fc\u00e7\u00fcmsemeden. Zaman\u0131 \u00e7ok bol, paras\u0131 \u00e7ok az yoksullar\u0131n birbirine davrand\u0131\u011f\u0131 gibi. <\/p>\n\n\n\n

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Yery\u00fcz\u00fcndeki en mutsuz insan, \u0130stanbullu olup da “Vaktim yok,”<\/em> falan diyerek \u0130stanbul\u2019u ya\u015fayamayand\u0131r. <\/p>\n<\/blockquote>\n\n\n\n

Zaman\u0131n bolsa \u0130stanbullu olabilirsin, bir yere yeti\u015fmeye \u00e7al\u0131\u015f\u0131yorsan, acelen varsa, ge\u00e7mi\u015f olsun; bu \u015fehri ya\u015fayamazs\u0131n. Ya bir semtte t\u0131k\u0131l\u0131p kal\u0131rs\u0131n ya da oradan oraya ko\u015fu\u015fturan, dili bir kar\u0131\u015f d\u0131\u015far\u0131da, tela\u015f ve endi\u015fe ba\u011f\u0131ml\u0131s\u0131, her an kavgaya haz\u0131r, yolunun \u00fczerine \u00e7\u0131kan canl\u0131lar\u0131 bir an \u00f6nce sollamaya ko\u015fullanm\u0131\u015f bir canavar haline gelirsin. Yeteri kadar vakti olmayan insan\u0131n burada milyon dolan bile olsa, yeteri kadar paras\u0131 yoktur. <\/p>\n\n\n\n

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Onlar, \u015fehri oldu\u011fu gibi kabul ettiklerinden \u015fehir de onlar\u0131 olduklar\u0131 gibi kabul eder<\/p>\n<\/blockquote>\n\n\n\n

Yery\u00fcz\u00fcndeki en mutsuz insan, \u0130stanbullu olup da “Vaktim yok,”<\/em> falan diyerek \u0130stanbul\u2019u ya\u015fayamayand\u0131r. O zaman g\u00f6receksin ki, bu \u015fehri en iyi ya\u015fayanlar, Bo\u011faz’dan g\u00fcr\u00fcl g\u00fcr\u00fcl gelen bol oksijenli ak\u0131nt\u0131lar\u0131n k\u0131r\u0131ld\u0131\u011f\u0131 Sarayburnu’ndan denize girmeyi ba\u015farabilen yoksullard\u0131r. Onlar, \u00e7ocukluktaki gibi bir zaman bollu\u011funa sahiptirler. Her daim \u00e7ocukturlar ve kendi kendilerinden daha tecr\u00fcbelidirler. \u015eehrin co\u011frafyas\u0131n\u0131n ku\u015faklardan ku\u015faklara aktar\u0131lan bilgisine sahiptirler bir kere. Onlar, \u015fehri oldu\u011fu gibi kabul ettiklerinden \u015fehir de onlar\u0131 olduklar\u0131 gibi kabul eder, ne surlar\u0131n\u0131n dibindeki t\u00fcnellerini, ne Belgrat Orman\u0131’n\u0131n gizli k\u00f6\u015felerini, ne Sarayburnu’ndaki bat\u0131k sandallar\u0131n\u0131, ne Rumelikava\u011f\u0131’n\u0131n en etli midyelerinin oldu\u011fu kayalar\u0131n\u0131, ne kerhanelerinin en g\u00fczel orospular\u0131n\u0131, ne de polisin bile bilmedi\u011fi, mezenin ve yaprak sarmas\u0131n\u0131n en kral\u0131n\u0131n yap\u0131ld\u0131\u011f\u0131 tek tek\u00e7i meyhanelerini, S\u00fcleymaniye’deki Pakistanl\u0131lar\u0131n\u0131n esrarl\u0131, Aksaray’daki Afganl\u0131 dericilerinin afyonlu muhabbetlerini, Moldovyal\u0131 bak\u0131c\u0131lar\u0131n\u0131n haftasonu sevi\u015fmelerini, en faydal\u0131 tesad\u00fcflerinin ge\u00e7ti\u011fi sokak aralar\u0131n\u0131; k\u0131sacas\u0131, hi\u00e7bir yerini, hi\u00e7bir an\u0131n\u0131 esirgemez. En gizli \u015fapellerinde dola\u015ft\u0131r\u0131r, en mahrem s\u0131rlar\u0131n\u0131 payla\u015f\u0131r. <\/p>\n\n\n\n

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Dervi\u015f bile olasalar bir felaket an\u0131nda, zaviyenin duvar\u0131nda as\u0131l\u0131 duran baninin tarihi h\u0131rkas\u0131n\u0131 kime, ka\u00e7a okutmalar\u0131 gerekti\u011finden haberdard\u0131rlar.<\/p>\n<\/blockquote>\n\n\n\n

Bu \u015fehrin fakirleri, farkl\u0131 k\u00fclt\u00fcrlerin kaleydoskopu i\u00e7inde turlama becerisine sahiptirler. Her yere giren \u00e7\u0131kan \u015fifrek\u0131rand\u0131r onlar. Her bir halttan haberleri vard\u0131r. Onlar\u0131n fakirlikleri s\u0131radan, garibanl\u0131kla e\u015f tutulan bir fakirlik de\u011fildir. Malumatfuru\u015fturlar. Erivan’daki Madam Anna’n\u0131n tonoz kapakl\u0131 \u00e7eyiz sand\u0131\u011f\u0131n\u0131n i\u00e7indeki opsidiyen lsa heykelinden, Sofya’daki yo\u011furt\u00e7u \u0130smayil Efendi’nin salonundaki Thonet tak\u0131ma kadar \u00e7ok geni\u015f bir co\u011frafyadaki, b\u00fct\u00fcn fakirlerin para yapma ihtimali olan mallar\u0131n\u0131n envanterini \u00e7\u0131karm\u0131\u015flard\u0131r. Bunu da genci ya\u015fl\u0131s\u0131, b\u00fct\u00fcn g\u00fcn konu\u015farak, di\u011fer fakirlerle payla\u015fmaktan \u00e7ekinmezler. Ah\u0131rkap\u0131’da denize giren fukara, zor durumda kald\u0131\u011f\u0131nda Bulgaristan’daki Thonet sandalyeyi ya da Gabrova’daki mineli enfiye kutusunu ve abanoz tespihi iyi bir fiyata okutaca\u011f\u0131n\u0131 bildi\u011finden kendisini g\u00fcvencede hisseder. Bu y\u00fczden k\u0131y\u0131da g\u00fcne\u015flenirken ikide bir saatine bak\u0131p durmaz. Zaten saati de yoktur. \u0130yi ki de yoktur. Saati olmayan insan\u0131n can s\u0131k\u0131nt\u0131s\u0131 da olmaz. \u0130nan\u00e7lar\u0131n\u0131n s\u0131n\u0131r\u0131n\u0131 bilirler. Dervi\u015f bile olasalar bir felaket an\u0131nda, zaviyenin duvar\u0131nda as\u0131l\u0131 duran baninin tarihi h\u0131rkas\u0131n\u0131 kime, ka\u00e7a okutmalar\u0131 gerekti\u011finden haberdard\u0131rlar.<\/p>\n\n\n\n

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Fikirden, etnik kimlikten, dinden, politik g\u00f6r\u00fc\u015flerden \u00e7ok, a\u015final\u0131\u011f\u0131n \u00f6nemli oldu\u011fu b\u00f6lgelere ula\u015f\u0131rsan, yabanc\u0131 da olsan korkma.<\/p>\n<\/blockquote>\n\n\n\n

\u015eehir kimsenin onu ele ge\u00e7irmesine, sokaklar\u0131nda burnu Kaf Da\u011f\u0131’nda dola\u015fmas\u0131na izin vermez. Liyakatle sulanan sokaklar\u0131n\u0131 ne kadar \u00e7ok ad\u0131mlarsan, d\u00fckkanlar\u0131na ne kadar \u00e7ok girip al\u0131\u015fveri\u015f edersen, sokakta y\u00fcr\u00fcyen, kahvede oturan, k\u00f6\u015fe ba\u015f\u0131nda ayakta duran insanlarla ne kadar \u00e7ok konu\u015fursan, o kadar \u00e7ok kap\u0131 a\u00e7\u0131l\u0131r \u00f6n\u00fcnde. Hi\u00e7 ummad\u0131\u011f\u0131n perdeler aralan\u0131r, ketum suratlar g\u00fcl\u00fcc\u00fcklerle dolar, fiyatlar d\u00fc\u015fer, tedav\u00fclden kalkm\u0131\u015f ya da hen\u00fcz gelmi\u015f mallara kolayca ula\u015f\u0131labilir. <\/p>\n\n\n\n

Fikirden, etnik kimlikten, dinden, politik g\u00f6r\u00fc\u015flerden \u00e7ok, a\u015final\u0131\u011f\u0131n \u00f6nemli oldu\u011fu b\u00f6lgelere ula\u015f\u0131rsan, yabanc\u0131 da olsan korkma. Bir sokaktan binlerce kere ge\u00e7ersen, kim olursan ol, sokak k\u00f6pekleri, pencereden \u00e7ar\u015faf silkeleyen kad\u0131nlar, futbolcu olmay\u0131 kafaya koymu\u015f ilkokuldan terk veletler, sat\u0131c\u0131lar, \u015fiir ve \u015fark\u0131 sat\u0131c\u0131lar\u0131 ve dilenciler seni kabullenir. \u0130ster istemez sen de onlar\u0131 kabullenirsin. Ama a\u015final\u0131k bitince, hayat da biter. Kimse gidenin arkas\u0131ndan hi\u00e7bir \u015fey hat\u0131rlamaz.<\/p>\n\n\n\n

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“Bu \u015fehrin yaz\u0131 k\u0131\u015f\u0131 yoktur, lodosu ve poyraz\u0131 vard\u0131r” <\/h2>\n\n\n\n

Bu \u015fehirde ya\u015fayan birinin lodosun ne oldu\u011funu anlayabilece\u011fi tek yer vapurdur. Vapura binmeyen lodosla poyraz\u0131n fark\u0131n\u0131 anlayamaz. <\/p>\n\n\n\n

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Ruhumuzu bedenimizde tutan \u015fey me\u011ferse poyrazm\u0131\u015f<\/p>\n<\/blockquote>\n\n\n\n

Lodoslu bir vapurda insanlar\u0131 g\u00f6zlemeye bay\u0131l\u0131r. Konu\u015fmalar yava\u015flar, ruh bedenden kopar ve yava\u015f yava\u015f derinlere \u00e7ekilir, b\u0131rakt\u0131\u011f\u0131 bo\u015flu\u011fu tarifsiz bir belirsizlik ve kabullenme duygusu doldurur. Ufuk \u00e7izgisinin ayn\u0131 anda hem a\u015fa\u011f\u0131da hem de yukar\u0131da olabilece\u011fini g\u00f6rmek, sanki hayat bir ku\u015f olacak da, i\u00e7inizden u\u00e7up gidecekmi\u015f gibi bir his yarat\u0131r. \u015eimdiye kadar herhangi bir konuyla ilgili ula\u015ft\u0131\u011f\u0131m\u0131z t\u00fcm sonu\u00e7lara, ufuk \u00e7izgisi sabit tutularak var\u0131lm\u0131\u015ft\u0131r. Lodos b\u00fct\u00fcn teorileri alt \u00fcst eder. Her \u015fey yeniden d\u00fc\u015f\u00fcn\u00fclmelidir. Kuvvetli bir lodos “Ruhumuzu bedenimizde tutan \u015fey me\u011ferse poyrazm\u0131\u015f,” dedirtir insana.<\/p>\n\n\n\n

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\u0130kinci Mahmut T\u00fcrbesi<\/h2>\n\n\n\n

\u0130kinci Mahmut T\u00fcrbesi’nin i\u00e7indeki mezarlar\u0131n aras\u0131nda dola\u015fmak ona haz verir. “Acaba Abd\u00fclaziz, Mithat Pa\u015fa<\/strong> taraf\u0131ndan \u00f6ld\u00fcrt\u00fclm\u00fc\u015f m\u00fcd\u00fcr, yoksa intihar m\u0131 etmi\u015ftir?”<\/em> diye soran biri hala varsa odur. Rodosizade Ahmet Fehim Pa\u015fa<\/strong>‘n\u0131n mezar\u0131 buradad\u0131r! Hani \u015fu Cemile Sultan<\/strong>‘\u0131n kocas\u0131 Mahmut Celalettin Pa\u015fa<\/strong>‘n\u0131n babas\u0131 olan Tophane m\u00fc\u015firi, Taif’te Mithat Pa\u015fa<\/strong> ile birlikte bo\u011fdurulan Ahmet Fehim Pa\u015fa<\/strong>! Acaba Abd\u00fclhamid<\/strong> onunla birlikte ayn\u0131 t\u00fcrbede yatmaktan mutlu mudur? Yoksa bu mezarl\u0131k, gezenlere “\u0130ster katil ol ister maktul ayn\u0131 yolun yolcular\u0131s\u0131n\u0131z,”<\/em> dedirtmek i\u00e7in mi in\u015fa edilmi\u015ftir? <\/p>\n\n\n\n

Peki Ermeniler taraf\u0131ndan Roma’da \u00f6ld\u00fcr\u00fclen Sadrazam Sait Halim Pa\u015fa, Ermeni Mimar Ohannes Usta<\/strong>‘n\u0131n yapt\u0131\u011f\u0131 bu t\u00fcrbede yatmaktan \u015fikayet\u00e7i midir? Biraz ileride T\u00fcrk\u00e7\u00fc \u015fair Ziya G\u00f6kalp<\/strong>! \u0130slamc\u0131 Halim Pa\u015fa<\/strong> ile ayn\u0131 mezarl\u0131\u011f\u0131 payla\u015fmaktan s\u0131k\u0131l\u0131yor mudur? Ya \u0130ttihat\u00e7\u0131lar taraf\u0131ndan \u00f6ld\u00fcr\u00fclen Serbesti gazetesinin yazar\u0131 Hasan Fehmi, \u0130ttihat\u00e7\u0131larla birlikte yatmaktan ho\u015fnut mudur? <\/p>\n\n\n\n

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Sanki hepsi birdenbire orac\u0131kta \u00f6lm\u00fc\u015f ve ba\u015fka yere kald\u0131rma imkan\u0131 olmad\u0131\u011f\u0131ndan bulunduklar\u0131 yerlere g\u00f6m\u00fclm\u00fc\u015f gibi duran bu garip kar\u0131\u015f\u0131m\u0131 kim yaratm\u0131\u015ft\u0131r?<\/p>\n<\/blockquote>\n\n\n\n

\u0130\u015fte Han\u0131m Sultan Fatma Gevheri<\/strong>! Hani Abd\u00fclaziz<\/strong>‘in torunu olan! \u0130nanm\u0131yorum, Seyyid Bey<\/strong> de burada! O m\u00fcthi\u015f “Hilafetin Mahiyet-i \u015eahsiyesi”<\/em> adl\u0131 konu\u015fmay\u0131 yapan \u0130zmir mebusu hukuk\u00e7u, Malta s\u00fcrg\u00fcn\u00fc! Hilafeti kald\u0131ranlarla halifeler bir arada! Ger\u00e7ekten g\u00f6zden d\u00fc\u015ft\u00fc\u011f\u00fc i\u00e7in mi akademisyenli\u011fe d\u00f6nm\u00fc\u015ft\u00fcr acaba? <\/p>\n\n\n\n

Mahmut Pa\u015fa<\/strong> da burada yat\u0131yor! T\u00fcrk musikisi repertuvar\u0131n\u0131 toplayarak notaya d\u00f6n\u00fc\u015ft\u00fcren, Kaptan-\u0131 Derya Mehmet Ali Pa\u015fa<\/strong>‘n\u0131n o\u011flu K\u00f6pr\u00fcl\u00fc Yal\u0131s\u0131 sahiplerinden, Abd\u00fclmecid’in k\u0131z\u0131 Re\u015fa Sultan<\/strong>‘la evlenen Mahmut Pa\u015fa! <\/p>\n\n\n\n

Serez e\u015fraf\u0131ndan \u015eeyh Bedreddin<\/strong>‘in sonunda buraya g\u00f6m\u00fclmesine ne demeli? \u00dcnl\u00fc kom\u00fcnist \u015fair Naz\u0131m Hikmet<\/strong>‘in destan\u0131n\u0131 yazd\u0131\u011f\u0131, kemikleri oradan oraya ta\u015f\u0131narak bir t\u00fcrl\u00fc g\u00f6m\u00fclecek bir yer bulamayan \u015eeyh Bedreddin. Bir isyankar ile Osmanl\u0131 padi\u015fahlar\u0131n\u0131n bir arada yatmas\u0131 tuhaf de\u011fil mi? Destan\u0131n\u0131 yazan \u015fairin kemikleri de bir g\u00fcn Moskova’dan getirilip uygun bir \u00e7\u0131nar a\u011fac\u0131 dibi bulunamad\u0131\u011f\u0131ndan oradan oraya dola\u015ft\u0131r\u0131l\u0131p sonunda buraya g\u00f6m\u00fclmesin sak\u0131n? Naz\u0131m Hikmet burada s\u0131k\u0131lmaz. Belki de biraz ileride yatan \u015fair Muallim Naci<\/strong>‘yle uzun uzun \u015fiir kavgalar\u0131 yapar. Muallim Naci, isminin verildi\u011fi caddede Reinalar, Zihniler, Lailalar gibi \u0130stanbul’un en sosyetik barlar\u0131n\u0131n oldu\u011funu bilseydi ne d\u00fc\u015f\u00fcn\u00fcrd\u00fc acaba?<\/p>\n\n\n\n

Ah Sadullah Pa\u015fa<\/strong> ah! Sen de mi buradas\u0131n? Ger\u00e7ekten oda hizmet\u00e7isi Anna Han\u0131m’\u0131n senden hamile kald\u0131\u011f\u0131n\u0131 \u00f6\u011frendi\u011fin i\u00e7in mi intihar ettin? “Bir \u00e7ocu\u011fun do\u011fmas\u0131 korkusu”, “\u00f6l\u00fcm korkusu”<\/em>ndan bile daha b\u00fcy\u00fck olabiliyor demek.<\/p>\n\n\n\n

Sanki hepsi birdenbire orac\u0131kta \u00f6lm\u00fc\u015f ve ba\u015fka yere kald\u0131rma imkan\u0131 olmad\u0131\u011f\u0131ndan bulunduklar\u0131 yerlere g\u00f6m\u00fclm\u00fc\u015f gibi duran bu garip kar\u0131\u015f\u0131m\u0131 kim yaratm\u0131\u015ft\u0131r? <\/p>\n\n\n\n

Mezarl\u0131\u011f\u0131n duvar\u0131ndaki \u00e7e\u015fmenin \u00fczerine k\u00fcreselle\u015fmeyi simgeledi\u011fini d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fc k\u00fcreyi kim koymu\u015ftur? <\/p>\n\n\n\n

Yoksa as\u0131l ama\u00e7 k\u00fcreyi mi koymakt\u0131r? <\/p>\n\n\n\n

\u00c7e\u015fme sonradan m\u0131 gelmi\u015ftir? <\/p>\n\n\n\n

K\u00fcrenin uzun zaman ortal\u0131kta g\u00f6r\u00fcnmemesini kime bor\u00e7luyuz acaba?<\/p>\n\n\n\n

<\/p>\n\n\n\n

Uyku \u015eehir<\/a> – Behi\u00e7 Ak<\/p>\n","protected":false},"excerpt":{"rendered":"

“Bu \u015fehrin yaz\u0131 k\u0131\u015f\u0131 yoktur, lodosu ve poyraz\u0131 vard\u0131r” Lodosun ne oldu\u011funu anlayabilece\u011fi tek yer vapurdur. Vapura binmeyen lodosla poyraz\u0131n fark\u0131n\u0131 anlayamaz. Ufuk \u00e7izgisinin ayn\u0131 anda hem a\u015fa\u011f\u0131da hem de yukar\u0131da olabilece\u011fini g\u00f6rmek, sanki hayat bir ku\u015f olacak da, i\u00e7inizden u\u00e7up gidecekmi\u015f gibi bir his yarat\u0131r.<\/p>\n","protected":false},"author":1,"featured_media":103567,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1772],"tags":[1482,33,1483],"class_list":["post-98687","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-istanbul-yazilari","tag-behic-ak","tag-istanbul","tag-uyku-sehir"],"_links":{"self":[{"href":"https:\/\/www.remgo.com\/11\/wp-json\/wp\/v2\/posts\/98687","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.remgo.com\/11\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.remgo.com\/11\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.remgo.com\/11\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.remgo.com\/11\/wp-json\/wp\/v2\/comments?post=98687"}],"version-history":[{"count":0,"href":"https:\/\/www.remgo.com\/11\/wp-json\/wp\/v2\/posts\/98687\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.remgo.com\/11\/wp-json\/wp\/v2\/media\/103567"}],"wp:attachment":[{"href":"https:\/\/www.remgo.com\/11\/wp-json\/wp\/v2\/media?parent=98687"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.remgo.com\/11\/wp-json\/wp\/v2\/categories?post=98687"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.remgo.com\/11\/wp-json\/wp\/v2\/tags?post=98687"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}