Bir Avu\u00e7 G\u00fczel \u0130nsan<\/a> sergisi zaman t\u00fcneline davet ediyor bizi. T\u00fcrk edebiyat\u0131n\u0131n ger\u00e7ek y\u0131ld\u0131zlar\u0131 sanki omuz omuza vermi\u015f y\u0131llar \u00f6ncesinden bize g\u00fcl\u00fcms\u00fcyor. Ara G\u00fcler’in edebiyat\u0131m\u0131za katt\u0131\u011f\u0131 anlam kitap kapaklar\u0131n\u0131 s\u00fcsleyen portrelerden \u00e7ok daha \u00f6teye gidiyor. ‘Bir Avu\u00e7 G\u00fczel \u0130nsan’<\/strong> sergisi, edebiyat\u00e7\u0131 dostlar\u0131 arac\u0131l\u0131\u011f\u0131yla Ara G\u00fcler’in yeniden tan\u0131mak i\u00e7in e\u015fsiz bir f\u0131rsat sunuyor.<\/p>\n\n\n\n O, hayat\u0131 foto\u011fraf makinesinin kadraj\u0131ndan aktaran biriydi. Foto\u011fraf\u0131n\u0131 \u00e7ekti\u011fi edebiyat\u00e7\u0131lar onun dostuydu. Bir insan dostu olunca onun al\u0131\u015fkanl\u0131klar\u0131n\u0131 bilir, d\u00fcnyas\u0131n\u0131 tan\u0131r. Onlar\u0131n hayattaki yerlerini anlat\u0131r. Ve rahatl\u0131kla \u015fu c\u00fcmleyi s\u00f6yleyebilir: “Onlar benim i\u00e7in yaln\u0131zca foto\u011fraf\u0131 \u00e7ekilen ki\u015filer de\u011fil, d\u00fcnyam\u0131 kuran insanlard\u0131r.”<\/em><\/p>\n\n\n\n Has\u0131r \u015fapkas\u0131yla deniz k\u0131y\u0131s\u0131nda Sait Faik Abas\u0131yan\u0131k, sa\u00e7lar\u0131n\u0131 \u00f6zenle yana tarayan Beh\u00e7et Necatigil, Re\u015fat Nuri G\u00fcntekin, Sabahattin Ey\u00fcbo\u011flu, Firuzan, Nezihe Araz, Orhan Pamuk, \u00d6zdemir Asaf, Melih Cevdet Anday. Hepsi Ara G\u00fcler’in imzas\u0131yla haf\u0131zalar\u0131m\u0131zda…<\/p>\n\n\n\n Portre, \u00e7ekilen insan\u0131n hayattaki yerini verebilmelidir. Bu anlamda insan hayat\u0131n\u0131n kayd\u0131d\u0131r. Ben \u00f6nemli bir insan\u0131n portresini \u00e7ekerken o insan hayat\u0131 boyunca neyi s\u00f6ylemek istemi\u015fse onu yans\u0131tmaya \u00e7al\u0131\u015f\u0131r\u0131m.” Ara G\u00fcler<\/p>\n<\/blockquote>\n\n\n\n Bazen Sabahattin Ey\u00fcbo\u011flu\u2019nun Bronz Apartman\u0131\u2019ndaki dairesindeydi, bazen de Fikret Adil\u2019in evinde… Bedri Rahmi Ey\u00fcbo\u011flu\u2019nun Narmanl\u0131 Han\u2019daki at\u00f6lyesine de u\u011frard\u0131,Samim Kocag\u00f6z\u2019\u00fcn \u0130zmir\u2019deki evine de… Onlar\u0131n foto\u011fraflar\u0131n\u0131 \u00e7ekerken edebi sohbetlere de dald\u0131, dostluklar\u0131n\u0131 \u00f6l\u00fcms\u00fczle\u015ftirdi. Bu dostluklara \u0131\u015f\u0131k tutan ‘Bir Avu\u00e7 G\u00fczel \u0130nsan’ <\/strong>ba\u015fl\u0131kl\u0131 sergide usta foto\u011fraf\u00e7\u0131n\u0131n erken ya\u015flarda ba\u015flayan edebiyat merak\u0131na da tan\u0131k olabilirsiniz.<\/p>\n\n\n\n Serginin giri\u015finde Salih Tozan, Orhan Kemal, Muzaffer Buyruk\u00e7u, M\u00fccahit Ofluo\u011flu, Samim Kocag\u00f6z ve H\u00fcsamettin Bozok selaml\u0131yor bizi. Y\u0131l 1950’ler\u2026 Ara G\u00fcler’in evindeki \u00e7al\u0131\u015fma masas\u0131n\u0131n etraf\u0131nda toplanm\u0131\u015f d\u00f6nemin en \u00f6nemli edebiyat\u00e7\u0131lar\u0131, g\u00f6zlerimizin i\u00e7ine bak\u0131yorlar. Ard\u0131ndan Naz\u0131m Hikmet, daha \u00f6nce hi\u00e7 sergilenmi\u015f foto\u011fraflar\u0131yla kendine ayr\u0131lan k\u00f6\u015fesinde. A\u015f\u0131k Veysel’in saz\u0131 elinde. Aziz Nesin \u00e7ocuklarla \u00e7evrili g\u00fcl\u00fcms\u00fcyor. Kadraj\u0131 ile arkas\u0131nda koca bir tarih b\u0131rakan Ara G\u00fcler’in “Bunlar arkada\u015flar\u0131m, dostlar\u0131m” diyor onlar i\u00e7in. Dostluklar\u0131 yaln\u0131zca T\u00fcrk edebiyat\u00e7\u0131lar\u0131 ile s\u0131n\u0131rl\u0131 de\u011fildir \u00fcstelik. James Baldwin, Arthur Miller, Antonio Tabucchi, John Updike, Philip Roth, Alberto Manguel, Amin Maalouf G\u00fcler’in foto\u011fraflad\u0131\u011f\u0131 d\u00fcnyaca \u00fcnl\u00fc edebiyat\u00e7\u0131lardan baz\u0131lar\u0131.<\/p>\n\n\n\n \u00c7i\u00e7ek Pasaj\u0131, Cumhuriyet Meyhanesi, Bal\u0131k Pazar\u0131, Nevizade… Sofralar\u0131n edebiyat sohbetleriyle renklendi\u011fi mekanlar… Maya Sanat Galerisi’nde d\u00fczenlenen sergiler, Uluslararas\u0131 PEN Kul\u00fcb\u00fc toplant\u0131lar\u0131 Ara G\u00fcler’in foto\u011fraf makinas\u0131yla u\u011frak yerleridir. \u0130stiklal Caddesi’nin merkezinde bug\u00fcn ad\u0131n\u0131 ta\u015f\u0131yan Tosba\u011fa Sokak’taki G\u00fcler Apartman\u0131, edebiyat\u00e7\u0131 dostlar\u0131n\u0131 a\u011f\u0131rlad\u0131\u011f\u0131 salonudur.<\/p>\n\n\n\n Ahmed Oktay’\u0131n “Her y\u00fcz bir \u00f6yk\u00fc yazar”<\/em> dedi\u011fi gibi Ara G\u00fcler’in her y\u00fcz\u00fc bir \u00f6yk\u00fc anlat\u0131yor. M\u00fczden ayr\u0131l\u0131rken g\u00f6rd\u00fc\u011f\u00fcn\u00fcz portreler zihnimize kaz\u0131n\u0131yor. Kaleme ald\u0131klar\u0131 eserleri i\u00e7imizi \u0131s\u0131t\u0131yor.<\/p>\n\n\n\n Zaman ay\u0131r\u0131n, Bomonti Ada<\/a>‘ya gidin. Duayen foto\u011fraf\u00e7\u0131n\u0131n ar\u015fivinden karanl\u0131k oda ekipmanlar\u0131na, kitaplar\u0131ndan ki\u015fisel e\u015fyalar\u0131na kadar t\u00fcm koleksiyonu burada. Onun emanetine sahip \u00e7\u0131kan, miras\u0131n\u0131 ya\u015fatmay\u0131 g\u00f6rev edinen bir avu\u00e7 harika insan\u0131n haz\u0131rlad\u0131\u011f\u0131 sergiyi g\u00f6r\u00fcn.<\/p>\n\n\n\n \u201cMerhaba. Ben uzun boylu denizci. Tan\u0131d\u0131\u011f\u0131n\u0131z uzun boylu denizci. Do\u011fu\u015ftan Hint-Avrupal\u0131, Ari veya Sami \u0131rkianna mensubum. Sar\u0131\u015f\u0131n\u0131m, beyaz\u0131m, Habe\u015fim, zenciyirn. Gr\u00f6nland, Kap, Adisababa, Bombay, Sulukule, Sidney, Leningrad, New York, Kanada veya Nagazaki’de do\u011fdum. Ad\u0131m Petrof, Ferdinand, Hans, Mi\u015fel, Fernando, Sotiri, Ha\u00e7adur veya Mehmet. On alt\u0131, yirmi yedj, otuz be\u015f veya altm\u0131\u015f yedi ya\u015f\u0131nday\u0131m. Do\u011fmu\u015f olmam yeterli. Mutlaka bana rastlam\u0131\u015fs\u0131n\u0131zd\u0131r. Ben geceleri \u0131sl\u0131k \u00e7alarak sokaklar\u0131 dola\u015fan adam\u0131m. Bar \u00f6nlerinde kavga eden, bir kad\u0131n y\u00fcz\u00fcnden cezaevine t\u0131k\u0131lan, konferanslarda uyuklayan, se\u00e7im g\u00fcnleri s\u0131z\u0131n gibi oy kullanan, atom bombas\u0131n\u0131 bulan, verem veya kansere \u00e7are bulan ki\u015fiyim. \u00dcstelik b\u00fct\u00fcn bunlar\u0131 geceleri \u0131sl\u0131k \u00e7alarak \u00e7\u0131plak r\u0131ht\u0131mlarda tembel ad\u0131mlarla s\u00fcrtt\u00fc\u011f\u00fcm s\u0131ralarda yap\u0131yorum.\u201d<\/em><\/p>\n\n\n\n\n
“Her y\u00fcz bir \u00f6yk\u00fc yazar”<\/h2>\n\n\n\n
Babil’den sonra ya\u015fayaca\u011f\u0131z<\/h2>\n\n\n\n