{"id":28,"date":"1993-06-30T08:08:55","date_gmt":"1993-06-30T05:08:55","guid":{"rendered":"http:\/\/www.remgo.com\/11\/?p=28"},"modified":"2026-01-20T10:43:39","modified_gmt":"2026-01-20T07:43:39","slug":"matmazelin-huzunlu-bakislari-artik-yok","status":"publish","type":"post","link":"https:\/\/www.remgo.com\/11\/matmazelin-huzunlu-bakislari-artik-yok\/","title":{"rendered":"Matmazelin h\u00fcz\u00fcnl\u00fc bak\u0131\u015flar\u0131 art\u0131k yok"},"content":{"rendered":"\n

Artist oynar ama ben ya\u015fad\u0131m. Filmi ya\u015fad\u0131m. Daha ka\u00e7 sene daha ya\u015fayaca\u011f\u0131m ki. Ama hayat \u00e7ok g\u00fczel. 81 ya\u015f\u0131ndaki kimsesiz bir kad\u0131n\u0131n a\u011fz\u0131ndan \u00e7\u0131kan bu s\u00f6zlerin \u00fczerinden 8 ay ge\u00e7ti. Bir zamanlar B\u00fcy\u011fkada’da La Prensess de Monte Carlo nam\u0131yla an\u0131lan Eurosini \u0130spiro\u011flu zorlu ya\u015fam m\u00fccadelesini ge\u00e7ti\u011fmiz g\u00fcnlerde noktalad\u0131. Son sahneyi oynayan matmazel, Tarlaba\u015f\u0131’ndaki evinin bo\u015f odalar\u0131nda \u00f6ld\u00fc.<\/p>\n\n\n\n

Bu ne ilk \u00f6l\u00fcmd\u00fc ne de \u00f6l\u00fcmlerin en zorlusu. \u0130\u00e7lerinden biriydi sadece. Siyah tabutu ta\u015f\u0131yan birka\u00e7 ki\u015fi ve \u00fczerine \u00f6rt\u00fclen toprakla 1912 y\u0131l\u0131nda ba\u015flayan bir ya\u015fam \u015ei\u015fli’deki Rum mezarl\u0131\u011f\u0131nda sona erdi.<\/p>\n\n\n\n

Ac\u0131larla dolu ya\u015fam\u0131 onun da dedi\u011fi gibi t\u0131pk\u0131 bir film gibiydi.<\/p>\n\n\n\n

1940’lar\u0131n \u0130stanbul’unda g\u00fczelli\u011fiyle herkesi pe\u015finden ko\u015fturan matmazel, \u00fcst \u00fcste gelen ac\u0131lara kar\u015f\u0131n ya\u015fam m\u00fccadelesini tek ba\u015f\u0131na s\u00fcrd\u00fcrm\u00fc\u015ft\u00fc. \u00d6nce babas\u0131n\u0131 yitirdi. Annesini ve k\u0131z karde\u015flerini bekleyen zorlu g\u00fcnler ba\u015flam\u0131\u015ft\u0131. Babas\u0131ndan kalan mirasa annesi sahp olamad\u0131. Zor y\u0131llar\u0131n ba\u015flang\u0131c\u0131yd\u0131 o g\u00fcnler. Diki\u015f dikerek, evlere temizli\u011fe giderek ge\u00e7en y\u0131llar La Prensess de Monte Carlo’nun ya\u015fama k\u00fcsmesine neden oldu. Her\u015feyi annesiydi. A\u015fklar\u0131n\u0131 sevgililerini annesi u\u011fruna reddetti. 1951’de bu d\u00fcnyadaki son varl\u0131\u011f\u0131n\u0131, annesini yitirdi. Ya\u015fam\u0131n ne anlam\u0131 vard\u0131 art\u0131k.<\/p>\n\n\n\n

Zaman\u0131n h\u0131zl\u0131 ak\u0131\u015f\u0131nda ya\u015fland\u0131. \u00c7al\u0131\u015facak g\u00fcc\u00fc yoktu. Bakacak kimsesinin olmad\u0131\u011f\u0131 gibi. Birka\u00e7 kom\u015fusu ilgilendi \u00f6nceleri matmazelle. Zamanla onlar da kayboldu. \u00d6nce evinin elektrikleri kesildi, sonra suyu…<\/p>\n\n\n\n

G\u00fcn geldi, \u0130stanbul’u pe\u015finden ko\u015fturan matmazel bir zamanlar ba\u015f\u0131 dik y\u00fcr\u00fcd\u00fc\u011f\u00fc \u0130stiklal Caddesi’nde karn\u0131n doyuracak art\u0131klar i\u00e7in po\u015fetleri kar\u0131\u015ft\u0131rd\u0131. \u00d6rmcek a\u011flar\u0131yla kapl\u0131 odas\u0131nda so\u011fuk k\u0131\u015f gecelerini tahta yata\u011f\u0131n\u0131n \u00fczerinde ge\u00e7irdi. Sobas\u0131nda ne yakacak odunu, ne de g\u00fcc\u00fc vard\u0131.<\/p>\n\n\n\n

Evinin tahta basamaklar\u0131 \u00e7\u00fcr\u00fcm\u00fc\u015f tavan\u0131 ele\u011fe d\u00f6nm\u00fc\u015ft\u00fc. So\u011fuk, karanl\u0131k gecelerini, s\u0131cak, ayd\u0131nl\u0131k g\u00fcnlerin umuduyla ge\u00e7irdi.<\/p>\n\n\n\n

G\u00fcne\u015fli bir kas\u0131m g\u00fcn\u00fc tan\u0131\u015ft\u0131k matmazelle. Kambur vucudu, titrek elleriyle bizi a\u011f\u0131rlad\u0131. Y\u0131llar sonra kendisini ziyaret eden bu misafirlere kar\u015f\u0131 nazikti. Tozlu bir sand\u0131ktan sararm\u0131\u015f foto\u011fraflar \u00e7\u0131kartt\u0131. Her resmi anlat\u0131rken o an\u0131 ya\u015fad\u0131. Bir gazete haberinin ya\u015fam\u0131n\u0131 de\u011fi\u015ftirebilece\u011fini nereden bilebilirdi. Herkesin y\u0131llard\u0131r esirgedi\u011fi ilgiyi son sahnede buldu. Art\u0131k istedi\u011fi tek \u015fey bahar\u0131 birkez daha g\u00f6rebilmekti. \u0130lkbahar\u0131 Tarlaba\u015f\u0131’ndaki evinde ya\u015fad\u0131. \u0130lk yaz g\u00fcnlerini de…<\/p>\n\n\n\n

Son g\u00fcc\u00fcyle \u0130stiklal Caddesi’ne birka\u00e7 kez daha \u00e7\u0131kt\u0131. Bu kez yiyecek aramak i\u00e7in de\u011fil. Beyo\u011flu’nun havas\u0131n\u0131, \u00c7i\u00e7ek Pasaj\u0131n\u0131 koklamak i\u00e7in.<\/p>\n\n\n\n

Bu yaz matmazel Beyo\u011flu’nda gezinemeyecek. \u00c7ok sevdi\u011fi Bal\u0131kpazar\u0131’na gidemeyecek. Kilisenin pazar ayinleri de onsuz olacak. \u0130stiklal Caddesi’nden gelip ge\u00e7enler, bir yaz s\u0131ca\u011f\u0131nda ihtiyar kad\u0131n\u0131 g\u00f6remeyecek.<\/p>\n\n\n\n

\u015eimdi matmazelin Tarlaba\u015f\u0131’ndaki evinde La Prensess de Monte Carlo olarak an\u0131ld\u0131\u011f\u0131 y\u0131llar\u0131n foto\u011fraf\u0131 canlanacak.<\/p>\n\n\n\n

Kom\u015fular\u0131, yoku\u015flar\u0131n kesi\u015fti\u011fi bu sokakta, elinde bastonuyla onu g\u00f6remeyece\u011fini biliyor. Eski beton binan\u0131n perdesiz pencerelerinden Tarlaba\u015f\u0131’na bir daha bakamayaca\u011f\u0131n\u0131 bildikleri gibi.<\/p>\n\n\n\n

Onu ge\u00e7 tan\u0131d\u0131k, sevdik, kaybettik. <\/p>\n\n\n\n

81 ya\u015f\u0131ndaki bir insana ihtiyac\u0131 olan ilgiyi son sahnede verebildik. <\/p>\n\n\n\n

Oysa onun her\u015feyden \u00e7ok ihtiyac\u0131 olan bu de\u011filmiydi.<\/p>\n\n\n\n

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<\/figcaption><\/figure>\n\n\n\n

30 Haziran 1993 tarihinde Cumhuriyet Gazetesi’nde yay\u0131nland\u0131.<\/p>\n\n\n\n

\n\n\n\n

Ve matmazel perdeyi kapatt\u0131<\/h2>\n\n\n\n

B\u00fcy\u00fckada’n\u0131n La Prensess de Monte Carlo’su, Eurosini \u0130spiro\u011flu art\u0131k yok<\/strong><\/p>\n\n\n\n

Tarlaba\u015f\u0131’ndaki \u00fc\u00e7 katl\u0131 evinde y\u0131llard\u0131r farkedilmeyen yaln\u0131zl\u0131\u011f\u0131yla ya\u015fayan Matmazel Eurosini h\u00fcz\u00fcnl\u00fc an\u0131lar\u0131n\u0131 arkada b\u0131rakarak ya\u015fama g\u00f6zlerini yumdu. F\u0131rt\u0131nal\u0131 sevin\u00e7lerin, yoksulluklar\u0131n, kimi zaman da zenginliklerin hat\u0131ralar\u0131yla ya\u015fayan Matmazel Eurosini’yi son yolculu\u011funa bir avu\u00e7 seveni u\u011furlad\u0131<\/p>\n\n\n\n

\u0130stanbul Haber Servisi-B\u00fcy\u00fckada’n\u0131n “La Prensess de Monte Carlo”su yok art\u0131k. 1940’lar\u0131n Beyo\u011flu’sunun h\u00fcz\u00fcnl\u00fc matmazeli, g\u00fczelli\u011fi hem kendi hem de ba\u015fkalar\u0131n\u0131n ba\u015f\u0131na bela Eurosini Ispiro\u011flu, \u00f6ld\u00fc. Ondan geriye, Tarlaba\u015f\u0131’ndaki \u00fc\u00e7 katl\u0131 eviyle, sararm\u0131\u015f, tarihsiz, isimsiz, Sahaflar’da bir k\u00f6\u015fede sat\u0131lmak \u00fczere paketlenmi\u015f foto\u011fraflar\u0131 kald\u0131.<\/p>\n\n\n\n

Ne hayat\u2026 Kendisini anlatabilmek i\u00e7in bu s\u00f6zc\u00fcklerden ba\u015fkas\u0131na g\u00fcc\u00fc yetmezdi Matmazel Eurosini’nin. 1912’de Bak\u0131rk\u00f6y’de porselen sat\u0131c\u0131s\u0131 Senofon ile Maria’n\u0131n k\u0131z\u0131 olarak do\u011fmu\u015flu\u011fu, babas\u0131n\u0131n \u00f6l\u00fcm\u00fc, kalan mirasla al\u0131nanlara day\u0131s\u0131n\u0131n el koymas\u0131, annesinin temizli\u011fe gidi\u015fi, vereme yakalan\u0131\u015f\u0131, Atina’da tedaviyle ge\u00e7en \u00fc\u00e7 y\u0131l\u0131, a\u015f\u0131k oldu\u011fu Yunanl\u0131 pilotun evin \u00fczerinden al\u00e7ak u\u00e7u\u015fu, annesinin \u00f6l\u00fcm\u00fc, yaln\u0131zl\u0131\u011f\u0131, yaln\u0131zl\u0131\u011f\u0131, yaln\u0131zl\u0131\u011f\u0131\u2026 Hepsi bu iki kelimede gizli i\u015fte. Ne hayat\u2026<\/p>\n\n\n\n

Beyo\u011flu’nda elinde beyaz bir po\u015fet, yiyecek toplamaya \u00e7\u0131kan kad\u0131n da o. Ge\u00e7en y\u0131la kadar fark edilmeyen yaln\u0131zl\u0131k ve yoksullu\u011fuyla ba\u015fa \u00e7\u0131kmaya \u00e7al\u0131\u015fan da. \u00d6nce bir gazete haberi, ard\u0131ndan Beyo\u011flu Belediyesi’nin ilgisi son aylar\u0131nda “Ben de ya\u015f\u0131yorum” diyebilmesini sa\u011flad\u0131. An\u0131lar\u0131m foto\u011fraflardan \u00e7\u0131kart\u0131p, anlatt\u0131, anlatt\u0131. Son sahneyi oynayan oyuncu gibiydi. Perde, \u00fczerine indi.<\/p>\n\n\n\n

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<\/figcaption><\/figure>\n\n\n\n

25 Haziran 1995 Cumhuriyet Sayfa 19<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Artist oynar ama ben ya\u015fad\u0131m. Filmi ya\u015fad\u0131m. Daha ka\u00e7 sene daha ya\u015fayaca\u011f\u0131m ki. Ama hayat \u00e7ok g\u00fczel. 81 ya\u015f\u0131ndaki kimsesiz bir kad\u0131n\u0131n a\u011fz\u0131ndan \u00e7\u0131kan bu s\u00f6zlerin \u00fczerinden 8 ay ge\u00e7ti. Bir zamanlar B\u00fcy\u011fkada’da La Prensess de Monte Carlo nam\u0131yla an\u0131lan Eurosini \u0130spiro\u011flu zorlu ya\u015fam m\u00fccadelesini ge\u00e7ti\u011fmiz g\u00fcnlerde noktalad\u0131. Son sahneyi oynayan matmazel, Tarlaba\u015f\u0131’ndaki evinin bo\u015f odalar\u0131nda \u00f6ld\u00fc. Bu ne ilk \u00f6l\u00fcmd\u00fc ne de \u00f6l\u00fcmlerin en zorlusu. \u0130\u00e7lerinden biriydi sadece. Siyah tabutu ta\u015f\u0131yan birka\u00e7 ki\u015fi ve \u00fczerine \u00f6rt\u00fclen toprakla 1912 y\u0131l\u0131nda ba\u015flayan bir ya\u015fam \u015ei\u015fli’deki Rum mezarl\u0131\u011f\u0131nda sona erdi. Ac\u0131larla dolu ya\u015fam\u0131 onun da dedi\u011fi gibi t\u0131pk\u0131 bir film gibiydi. 1940’lar\u0131n<\/p>\n","protected":false},"author":1,"featured_media":713,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1320],"tags":[161,70],"class_list":["post-28","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-remzi-gokdag-cumhuriyet-haber-arsivi-1993","tag-cumhuriyet","tag-matmazel"],"_links":{"self":[{"href":"https:\/\/www.remgo.com\/11\/wp-json\/wp\/v2\/posts\/28","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.remgo.com\/11\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.remgo.com\/11\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.remgo.com\/11\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.remgo.com\/11\/wp-json\/wp\/v2\/comments?post=28"}],"version-history":[{"count":0,"href":"https:\/\/www.remgo.com\/11\/wp-json\/wp\/v2\/posts\/28\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.remgo.com\/11\/wp-json\/wp\/v2\/media\/713"}],"wp:attachment":[{"href":"https:\/\/www.remgo.com\/11\/wp-json\/wp\/v2\/media?parent=28"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.remgo.com\/11\/wp-json\/wp\/v2\/categories?post=28"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.remgo.com\/11\/wp-json\/wp\/v2\/tags?post=28"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}